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When newlyweds Penn and Farrah Fletcher escape to a secluded mountain cabin, they expect a honeymoon of quiet and intimacy. Instead, civilization collapses overnight—neighbors turn predatory, strangers become executioners, and whispers spread that the infected aren’t human anymore.
RED/BLUE charts Penn and Farrah’s descent from lovers to survivalists as they navigate a contagion—or something far darker—that erases humanity itself. Some call it a virus. Others blame demons, aliens, or poisoned air. The truth is unknowable, but one fact remains: the “changed” are no longer safe.
Drawn from their mountain refuge into a fractured world of fear and suspicion, the couple encounter grotesque mutations, distorted figures haunting the night, and a fragile haven of survivors clinging to order in Vernon High. Security, however, is as fleeting as sanity.
What begins as a fight to outlast the apocalypse becomes a deeper struggle with identity, tribalism, and the slippery nature of truth in a world unmoored from reason. In the end, Penn and Farrah must face the most chilling question: are the monsters outside—or within?
When newlyweds Penn and Farrah Fletcher escape to a secluded mountain cabin, they expect a honeymoon of quiet and intimacy. Instead, civilization collapses overnight—neighbors turn predatory, strangers become executioners, and whispers spread that the infected aren’t human anymore.
RED/BLUE charts Penn and Farrah’s descent from lovers to survivalists as they navigate a contagion—or something far darker—that erases humanity itself. Some call it a virus. Others blame demons, aliens, or poisoned air. The truth is unknowable, but one fact remains: the “changed” are no longer safe.
Drawn from their mountain refuge into a fractured world of fear and suspicion, the couple encounter grotesque mutations, distorted figures haunting the night, and a fragile haven of survivors clinging to order in Vernon High. Security, however, is as fleeting as sanity.
What begins as a fight to outlast the apocalypse becomes a deeper struggle with identity, tribalism, and the slippery nature of truth in a world unmoored from reason. In the end, Penn and Farrah must face the most chilling question: are the monsters outside—or within?